Read about Karen Head's collaborative digital poetry project

Poet and editor Sam Rasnake has published Karen Head’s poetry project at his online poetry and art journal, Blue Fifth Review. Read the exquisite corpse poem, “Monumental,” which she directed from her perch atop the Fourth Plinth on Trafalgar Square in London. She also includes process notes about how she views art and collaboration.

I played a very small role in the project by writing one of the lines in the exquisite corpse poem. Even still, it was exciting to share in this digital experience. Although we each could hear Karen talking and see her in real time via the web cam, we communicated to her through twitter, sending her our lines after she wrote to tell us who was next. By the end of the hour, my T-shirt was damp with sweat, and I only had one line to write!

Karen Head releases second collection of 2009

Karen Head just sent word that her new book, Sassing, has just been released by Wordtech Press. This is Karen Head’s second collection this year, coming after My Paris Year (All Nations Press, 2009). She very generously shared three poems from My Paris Year in the first issue of ouroboros review.

One aspect of Karen Head’s work I admire is her ability to combine autobiographical elements with scientific or cultural topics. One of my favorite poems from My Paris Year (which I had the pleasure of hearing read by the poet), is Le Gran K, about how the official French kilo is losing mass each year. Of course, like all great poems, it’s not about what it seems at face value, but rather it’s about the importance of even the most negligible amounts of something.

I’m looking forward to hearing Karen Head read from her new collection, but readers in the UK will have the first chance, as she is traveling to England this summer. You can find her reading schedule on her blog, Karen Head: Poetic Acts in a Digital World.

Walt Whitman and Burst!

On Saturday evening my husband and I went to a Vietnamese restaurant in Midtown, drank a few beers and ate crispy tofu (that was me, he had calamari), and then went on to a reading of Song of Myself by Walt Whitman. I’m so grateful my husband came along with me, because he rarely attends poetry-related events. He had a good time, in spite of missing the basketball playoffs.

Poet and novelist Collin Kelley, the third reader of the evening, timed us – it took two hours and 45 minutes to read the entire 52 sections. And honestly, I didn’t notice time passing at all. It was breathtaking to listen to all the different interpretations of Whitman’s words. We were a wide sweep of humanity, reflecting the broad scope of the poem. Some of the readers were professional actors or spoken-word performers, such as Alice Lovelace and Theresa Davis. Professor and poet Karen Head was there, poet and artist Cleo Creech, Amy Pence, Tania Rochelle, and many others. It was quite an honor and a true pleasure to be included.

Poet Rupert Fike was the organizer and host of the reading, a charming prince of a man. He wore a black beret and a black shirt trimmed with a rust-colored Native American pattern, looking very much the poet that he is. The walls were lined with the stunning black and white photos now featured at Composition Gallery. I’m going to return to the gallery another time when the room isn’t so full to get a better look at the works.

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I’m standing in front, wearing cerise slacks. Karen Head is next to me, in a robin’s egg blue blouse. Cleo Creech is kneeling next to Alice Lovelace, who is wearing a green dress, Amy Pence is to Cleo’s left, and Collin is wearing a black T-shirt, standing behind Cleo. Rupert Fike is in the very back, his face hidden. You can just spot the tip of his beret. Robert Wood, whose poems have been in the first two issue of ouroboros and are forthcoming in the third, is in the back too. He has white hair and a white beard, looking like Whitman himself.

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I just received word that three of my poems are now online at Burst! Here’s a direct link to the poems, which are titled Degrees of Separation, Dr. Marano’s Therapy, and Sacred Fig Rites. Thanks to editor Lisa Nickerson for publishing my work.

Here’s a list of the other poets who are included in this issue, issue 5:

David Garrett-Arnold, John Gray, BC Jewett, Michael Brownstein, Stuart Payne ,Joseph Trombatore, Rob Gannon, Jeremi Handrinos, David Robertson, Catherine Zickgraf, RC Miller.


Walt Whitman's 190th Birthday Celebration

Poetry Atlanta is hosting a marathon reading of Walt Whitman’s Song of Myself this Saturday night, and I’m going to be one of the readers, thanks to poet Rupert Fike, who organized us. The reading will take place at composition gallery, which I’ve never visited. I’m looking forward to a double dose of art – poetry and photography. Collin Kelley and Karen Head will be reading, and many other well-known Atlanta poets, a real treat for me, and an honor too, since I’m a poetry scrub.

Of course I take my assignment seriously, and have been reading Song of Myself aloud, trying to let the whole of it soak into my skin. There are 52 sections. I will be reading sections 35 and 36, a kind of story within a story, as the speaker relates a naval battle in the voice of his great grandfather.

What strikes me about Walt Whitman is how enlightened his words are, and how ahead of his times he was, or maybe I shoud say out of time. He had a view that physicists are only now beginning to understand, of the interrelatedness of the universe. Song of Myself, in the very singing of it, is a song to all creation. It’s an attempt to sing the world, and it comes pretty darn close.

Whitman’s language is at once familiar and curious to me. I’ve made a wordle of the words that struck my fancy last night.

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