Poet Stevie Smith (1902-1971) is known and loved for her ballad-like poems and the ironic yet confessional lyrics she often paired with expressive drawings. But she was also one of the first performance poets–she created a performing persona for her poetry festival readings during the 1960s. At the age of sixty she wore lace stockings and pinafores to her readings, and she even sang the poems during her performances.
Many others have set Stevie’s poems to music. Here’s a jazz version of her poem “Mother Among the Dust Bins.”
Vic Chesnutt recorded “Not Waving But Drowning.”
In an essay I’m writing about Smith, I argue that listening to Stevie’s recordings provides another layer of meaning to the experience of her work. During my research, I’ve rekindled an interest in Spoken Word poets in general, and I’m thinking about how my own writing will change as a result of what I’m discovering.
Here is a quote from an interview on Stephen Mill’s Joe’s Jacket with poet Megan Volpert, who has performed her poetry and competed in Slam competitions. Megan has transitioned from her performance work (although she still gives entertaining, creative, and interactive readings) to writing poetry collections, but she has this to say about what she has learned from her both stage and writing experiences:
Megan’s next project, Sonics in Warholia, will be released in December, 2011 by Sibling Rivalry Press.
Another inspirational performance poet is Sarah Kay. Listen to her tell her story on TED–you won’t even notice the time as she skips from one story to the next.
Statue in Honor of Francis Scott Key, “amateur poet” who wrote the lyrics to the “Star Spangled Banner.”